PERFORM Log
March 1996
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Date: Wed, 6 Mar 1996 09:21:47 +-100
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Joan Ordinas
Subject: Art in the Net
Fellows,
Right now I'm preparing an exposition about the wide scope of artistic =
concepts which are apearing in the net.
I'm searching any kind of URLs to really new experiences using the net =
in a creative way. I'm specially interested in multimedia, literary and =
musical concepts among others.
I'm addressing this list in order to ask for your collaboration in =
"linking" me with any creative proposal that you get to know in the =
servers of your organizations or in any other location.
I thank for your interest in advance and I'm sure that through your =
collaboration all the artistic iniciatives developing in the net will =
have its place in the before mencioned exposition.
You can address your answers directly to my E-mail, and besides to the =
list if you consider it convenient.
Thanks again.
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| Joan Josep Ordinas Rosa =
|
| Email: jordinas@pie.xtec.es Home page: =
http://www.xtec.es/~jordinas/ |
| "Comunication is too important to leave it in the specialists' hands" =
|
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Date: Wed, 6 Mar 1996 15:13:37 PST8PDT
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Maureen Smith
Organization: University of Idaho
Subject: Dancing and the Church
Hello again.
I am seeking direction to publications which might contain
discussions about the Medieval Catholic Church and its admonitions
and bans on secular dancing. Additionally are there any publications
which address in depth the danseomania of the 11th-14th centuries
which unfortunately only receive brief mention in texts I have found.
Thank you for any and all suggestions.
Maureen Smith
University of Idaho
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Date: Mon, 11 Mar 1996 14:13:57 -0700
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: WARLING
Subject: Re: Dancing and the Church
In-Reply-To:
On Wed, 6 Mar 1996, Maureen Smith wrote:
> Hello again.
>
> I am seeking direction to publications which might contain
> discussions about the Medieval Catholic Church and its admonitions
> and bans on secular dancing. Additionally are there any publications
> which address in depth the danseomania of the 11th-14th centuries
> which unfortunately only receive brief mention in texts I have found.
>
> Thank you for any and all suggestions.
>
> Maureen Smith
> University of Idaho
>
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Date: Mon, 11 Mar 1996 18:21:54 -0500
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Margaret Ann Pappano
Subject: Montana Medieval Roundup (fwd)
---------- Forwarded message --------------
(Apologies for cross-posting!)
Announcing a conference with a spectacular setting:
MONTANA MEDIEVAL ROUNDUP
Call For Papers
"Frontiers, Roads, and Quests: The Middle Ages and Beyond"
September 11-13, 1996
Bozeman, Montana
Papers are invited from all disciplines for the first annual "Montana Medieval
Roundup" on the theme(s) "Frontiers, Roads, and Quests." We are interested in
both medieval studies proper and in medievalism and medieval influences on the
arts, literatures,languages, philosophies, and science of subsequent centuries.
Keynote speakers include Sheila Delaney and Howard Bloch.
Interested parties should submit a one- to two-page abstract and a cover
letter, including mailing and, if any, e-mail addresses, by May 30, 1996, to:
Dr. Gwendolyn Morgan
Department of English
Montana State University
Bozeman, MT 59717
=========================================================================
Date: Thu, 14 Mar 1996 21:02:07 -0600
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: "Todd R. Christensen"
Subject: la Moralite de Paix et de Guerre
Good day to you all,
I'm in search of information concerning the mid-16th century morality
play, "Moralite de Paix et de Guerre," by Henry du Tour, printed in Ghent
in 1558 by Henry van den Keere. Are any of you aware of critical
articles which had to do with the morality? Are there editions of it
other than the one found in Werner Helmich's "Moralites francaises?"
Also, I'm particularly interested in the monologue by Soulas, when he
speaks of the psychological and physical damage which the soldiers of his
time brought back with them from war. Are there other works, whether
they be dramas, novels, or essays, from the same time period which treat
the same or similar subjects? I will appreciate any leads or information
concerning the topic.
Thanks again,
Todd Christensen
ChristensenT@yvax.byu.edu
=========================================================================
Date: Tue, 19 Mar 1996 06:13:17 -0500
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Cynthia Dessen
Subject: ACTER Homepage (fwd)
---------- Forwarded message ----------
Date: Tue, 19 Mar 1996 06:10:41 -0500 (EST)
From: Cynthia Dessen
To: Shaksper@ws.BowieState.edu
Subject: ACTER Homepage
ACTER has a homepage at the following address: http://www.und.edu/depts/acter
Those of you attending the ISA April 7-14 in Los Angeles might be
interested to read about the actors and the production, which will be at
8 p.m. in the Biltmore Bowl at the hotel on Monday, April 8th. The actors
will also do a performance workshop on Tuesday and Gareth Armstrong will
do his one-man show, Hand in Hand to Hell (Richard III and Macbeth) at 4
on Tuesday. We also have pictures of the production and the actors. SAA
members will receive our new brochure before the conference, and I look
forward to meeting you at the ACTER table in the exhibition area, where
our new video will be showing. Reservations for the 1997-98 tours will
begin on May lst, but there may be a few openings left for 1996-97 (Much
Ado and Romeo and Juliet). ACTER will also be performing in the L.A. area
for the two weeks preceding the ISA, at Mount St. Mary's College and
Santa Monica College; contact me for information on performance times.
cynthia dessen, general manager, csdessen@ email.unc.edu
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Date: Wed, 20 Mar 1996 17:27:46 -0700
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Gypsy Warling
Subject: Re: ACTER Homepage (fwd)
In-Reply-To:
I am interested in being included in the ACTER workshop Apr 7-14. My
adress;Kathleen Warling; po#10174; Scottsdale, Az; 85271.Thanks.
On Tue, 19 Mar 1996, Cynthia Dessen wrote:
> ---------- Forwarded message ----------
> Date: Tue, 19 Mar 1996 06:10:41 -0500 (EST)
> From: Cynthia Dessen
> To: Shaksper@ws.BowieState.edu
> Subject: ACTER Homepage
>
> ACTER has a homepage at the following address: http://www.und.edu/depts/acter
> Those of you attending the ISA April 7-14 in Los Angeles might be
> interested to read about the actors and the production, which will be at
> 8 p.m. in the Biltmore Bowl at the hotel on Monday, April 8th. The actors
> will also do a performance workshop on Tuesday and Gareth Armstrong will
> do his one-man show, Hand in Hand to Hell (Richard III and Macbeth) at 4
> on Tuesday. We also have pictures of the production and the actors. SAA
> members will receive our new brochure before the conference, and I look
> forward to meeting you at the ACTER table in the exhibition area, where
> our new video will be showing. Reservations for the 1997-98 tours will
> begin on May lst, but there may be a few openings left for 1996-97 (Much
> Ado and Romeo and Juliet). ACTER will also be performing in the L.A. area
> for the two weeks preceding the ISA, at Mount St. Mary's College and
> Santa Monica College; contact me for information on performance times.
> cynthia dessen, general manager, csdessen@ email.unc.edu
>
=========================================================================
Date: Thu, 21 Mar 1996 09:11:21 -0800
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Lewis Heniford
Subject: Re: ACTER Homepage (fwd)
You wrote:
>>
>> ACTER has a homepage at the following address:
http://www.und.edu/depts/acter
There is a type. The "und" should read "unc" as this group is at the
University of North Carolina/Chapel Hill.
--
LEWIS W. HENIFORD, M.L.S., Ph.D., P. O. Box 299, Carmel-by-the-Sea, CA 93921
phone (408) 624-6960, fax (408) 624-1164 when alerted
|^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^|
| The URL http://www.scescape.com/small-cast_one-act_plays/ |
| tells the Web about one-act scripts. List yours without cost through |
| heniford@ix.netcom.com |
| This Web site complements the print volume |
| 1/2/3/4/ FOR THE SHOW: A GUIDE TO SMALL-CAST ONE-ACT PLAYS, 0-8108-2985-1|
| |
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
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Date: Mon, 25 Mar 1996 06:46:51 -0500
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Cynthia Dessen
Subject: correction for ACTER homepage address (fwd)
---------- Forwarded message ----------
Date: Mon, 25 Mar 1996 06:36:55 -0500 (EST)
From: Cynthia Dessen
To: Shaksper@cerdic9.bsu.umd.edu
Subject: correction for ACTER homepage address
Thanks to all the eagle-eyed readers who noted the error in ACTER's new
homepage address. The correct address is: http://www.unc.edu/depts/acter
(not und - we are at the University of North Carolina-Chapel
Hill).cynthia dessen, general manager, ACTER
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Date: Tue, 26 Mar 1996 19:14:49 -0800
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
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From: Deborah Grossman
Subject: SFEMS Summer Workshops BROCHURE
The brochure for the San Francisco Early Music Society (SFEMS)
1996 Summer Workshops is now available. Brief descriptions are listed
below. For more details about any of the workshops (including
registration information), please visit our web site or contact SFEMS
by one of the following means (please specify which workshop(s) you are
interested in):
Write: SFEMS, P.O. Box 10151, Berkeley, CA 94709
Telephone: 510-528-1725
E-mail: sfems@sfems.org
World Wide Web: http://www.sfems.org/~sfems
Instruments offered include: voice, recorder, violin, cello, viol,
viola da gamba, harp, organ, harpsichord, flute, oboe, percussion,
early brass, early winds, plus Baroque Dance
THE 1996 SFEMS SUMMER WORKSHOPS:
Since 1977, the SFEMS workshops have offered the most comprehensive
summer early music program in the United States, led by a faculty of
artists-in-residence at beautiful Dominican College in San Rafael,
California. The summer program offers master classes, lectures,
coached ensembles, and student and faculty recitals.
BAROQUE WORKSHOP (June 23-July 6). Director Anna Carol Dudley.
Designed for aspiring professionals and dedicated amateurs. Marion
Verbruggen is coming for both weeks and intends to focus on Telemann
the first week and on ornamentation in Corelli's sonatas the second.
First week: full chorus and orchestra, as well as recorder, flute,
oboe, violin, cello, viola da gamba, voice, organ, and harpsichord.
Second week: recorder, harp, viola da gamba, voice, harpsichord, and
dance. FACULTY: Marion Verbruggen and Frances Blaker, recorder;
Elisabeth Le Guin*, cello; Cheryl Ann Fulton**, harp; Mary Springfels,
viola da gamba; Richard Sparks*, Anna Carol Dudley, Judith Nelson,
voice; Matthew Dirst*, Mitzi Meyerson**, Phebe Craig*, keyboard;
Michael Sand*, violin; Kathleen Kraft*, traverso and flute; Sand
Dalton*, oboe; Angene Feves**, dance. (*Week I only; **Week II only)
Angene Feves returns as director of the BAROQUE DANCE WORKSHOP (June
30-July 6), which features early 18th-century dance technique classes,
Feuillet notation, and study of the repertoire.
MEDIEVAL WORKSHOP (July 7-13). Director Cheryl Ann Fulton. This
newly-designed week, combined with the annual Historical Harp Society
workshop, is aimed at seriously-motivated amateur musicians as well as
professionals seeking a grounding in early performance practice. Daily
classes, which culminate in a final student recital, will include
intensive sessions on Hildegard von Bingen, historical harp technique,
and Indian music. Technique classes are offered for recorder, flute,
shawm, vielle, harp, percussion, and voice. FACULTY: Karen Clark and
Harlan Hokin, voice; Professor Blake Wilson, performance practice &
history; Margriet Tindemans, bowed strings; Peter Maund, percussion;
David Hogan Smith, winds; and Roy Whelden, theory. Faculty for the
Historical Harp Society Workshop: Mara Galassi from Milan, Italy,
Renaissance harp; Ann Heymann, master of the wire-strung harp; Cheryl
Ann Fulton, medieval harp and historical harp technique; Judy Kadar
from Berlin, Germany; and musicologist Professor Egberto Bermudez from
Bogota, Colombia.
RENAISSANCE WORKSHOP (July 14-20). Director Phebe Craig. The joyous,
varied Renaissance week offers fulfilling activities for musicians of
all levels and abilities. This summer the focus will be on the
exciting transition at the end of the 16th century, when Italy led
Europe into a new world of styles, techniques, and attitudes. Included
will be classes on madrigals, expressive choral singing, and
Renaissance instrumental technique. FACULTY: Jon Bailey, choral
music; Frances Blaker, recorder; Marilyn Boenau, winds; David Douglass,
violin; Ellen Hargis, voice; Herbert Myers, reeds, winds, & strings;
Margriet Tindemans, viols; and Phebe Craig, keyboards.
RECORDER WORKSHOP (July 21-27). Director Frances Feldon. A perennial
favorite with musicians of all ages, the Recorder Workshop offers
musical literature from the Middle Ages to the present in a friendly,
supportive, and intimate atmosphere. Popular features include the
daily recorder orchestra, bass recorder instruction, introduction to F
recorders, and the opportunity to experience other instruments, such as
pipe and tabor. Morning technique classes will focus on basics such as
breathing, articulation, and musicianship. Morning and afternoon
ensemble will focus on special topics: music from the New World,
Machaut and medieval dances, Italian canzoni, Elizabethan partsongs,
Renaissance ornamentation, reading from original notation, baroque
chamber music, and 20th-century repertoire. FACULTY: Frances Feldon,
recorder & flute; David Barnett, recorder & early clarinet; Stewart
Carter, recorder, sackbut, & viol; Eileen Hadidian, recorder & flute;
Judith Linsenberg, recorder; Connie Primus, recorder; and Hanneke van
Proosdij, recorder & harpsichord.
The MUSIC DISCOVERY WORKSHOP (August 19-23) is an exciting, innovative
program offering Renaissance songs and dance, recorder or harpsichord
instruction, and creative drama for young people (ages 7-12), with a
parallel program for parents and teachers. An experienced faculty
provides group and private recorder or harpsichord instruction (minimum
one year of piano study required for harpsichord). Directors Lee McRae
and Dick Bagwell. Faculty: Lee McRae, Dick Bagwell, Steve Bergman,
and Joanna Bramel Young, recorders; and Yonit Kosovske, harpsichord.
=========================================================================
Date: Wed, 27 Mar 1996 06:16:00 -0500
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Cynthia Dessen
Subject: ACTER in Phoenix (fwd)
---------- Forwarded message ----------
Date: Wed, 27 Mar 1996 06:14:23 -0500 (EST)
From: Cynthia Dessen
To: Shaksper@ws.BowieState.edu
Subject: ACTER in Phoenix
ACTER has the possibility of performing in the Phoenix area in October
1996 with *Much Ado About Nothing* - if anyone on this list is at a
college or university in the area that might be able to share a week with
another venue, please contact cynthia dessen at csdessen@email.unc.edu. I
am particularly interested in anyone coming to the ISA, as I will be
there at the ACTER exhbition and we could discuss this. thanks, cynthia
dessen, general manager, ACTER
=========================================================================
Date: Fri, 29 Mar 1996 09:17:32 -0500
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Steve Wright
Subject: Q. about film: Mystery of Elche (x-post from MEDTEXTL)
From: IN%"MEDTEXTL@POSTOFFICE.CSO.UIUC.EDU" "Medieval Texts - Philology
Codicology and Technology" 29-MAR-1996 02:10:48.92
To: IN%"MEDTEXTL@POSTOFFICE.CSO.UIUC.EDU" "Multiple recipients of list
MEDTEXTL"
CC:
Subj: Q. about film: The Mystery of Elche
Has anyone on the list seen the film "The Mystery of Elche". I am
thinking about having the College purchase this for a course I teach on
"Public Ritual and Private Devotion: Popular Religion in Christianity".
The film was made for (by) the Folger Shakespeare Library. They sell it
but they do not rent copies (and rental copies can't be located by the
college av service.) I've heard a bit about the film and think it would
be very useful---but medtextl-ers usually have the extra info! (The film
is on Assumption Day festivities, etc.)
Also--any comments on the commercial video "Processione" which is about
Passion Week in Sicily?
And, while we are at it, suggestions of other useful films on similar
topics would be appreciated. (I have my own slides of feast days at
Chimayo and Santiago as well as rituals at Lourdes, but sources for such
as these would be appreciated also. I know about the short video on
Chimayo.)
In advance---thanks. (I realize that these are somewhat "off-topic"
since these are modern things being filmed (alas, we have no films of the
real medieval events :-( ), but given the breadth of interest on this
list, perhaps you will indulge the question. (Suggestions of better
places to post, or cross-posting by others appreciated.)
Grover Zinn
Oberlin College
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Date: Fri, 29 Mar 1996 01:58:32 -0400
From: "Grover A. Zinn"
Subject: Q. about film: The Mystery of Elche
Sender: Medieval Texts - Philology Codicology and Technology
To: Multiple recipients of list MEDTEXTL
Reply-to: Medieval Texts - Philology Codicology and Technology
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Date: Fri, 29 Mar 1996 09:25:42 -0500
Reply-To: PERFORM - Medieval Performing Arts
Sender: PERFORM - Medieval Performing Arts
From: Clifford Davidson
Subject: Re: Q. about film: Mystery of Elche (x-post from MEDTEXTL)
In-Reply-To: "Your message dated Fri, 29 Mar 1996 09:17:32 -0500"
<01I2WM8QNNFM8WWON1@cu4700.cua.edu>
I am not sure exactly about the nature of the request to which I am replying,
but I do want to note that there are two versions of the video Elche at least,
the one that was broadcast on U.S. television being much taken up by the
preliminaries and hence less interesting as a film than the English BBC
version. I guess I would like to know which version the Folger is distributing
and the cost.
Cliff Davidson