PERFORM Log

August 1995

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Date:         Tue, 1 Aug 1995 13:55:01 -0600
Reply-To:     PERFORM - Medieval Performing Arts 
Sender:       PERFORM - Medieval Performing Arts 
From:         Jeff Slaton 
Subject:      Good Material

FIFTY YEARS AGO the ATOMIC BOMBS were dropped on JAPAN!

PLEASE DON'T STOP READING ... THIS MESSAGE WILL INTEREST YOU!!

I have a colleague who just retired as the Associate Director of the LOS
ALAMOS NATIONAL LABORATORIES in New Mexico. We wsorked together to obtain
the release of the FAT MAN & LITTLE BOY ATOMIC BOMB BLUEPRINTS.

The Blueprints are reproductions of the OFFICIAL 1944-45 GOVERNMENT
documents used in the MANHATTAN PROJECT to build the Bombs.  The Blueprints
are 18 x 24 inches and ALL are suitable for display. They are highly
detailed " Dimensional and Component" drawings of each weapon.  The
documents were declassified and recently released.

(BTW ... THIS IS NOT A HOAX!  There are Anti Nuke radical elements who will
try to discredit this e-mail, please ignore them.)

This is a MUST HAVE for anyone interested in Science, History or Technology.
Truely a unique opportunity to own an Artifact of an important event in
World History!

The Blueprints cost $18.00 US currency. That amount includes mailing tube
and 1st class shipping.  The Documents will be shipped to you within 3 days
upon receipt of payment.

(International delivery REQUIRES an additional $6.00 US currency for AIR
MAIL SERVICE.)

The best method of payment is your Bank Check. For international delivery,
International Money Order already converted to US CURRENCY is required.

ORDERING INSTRUCTIONS:

PLEASE CALL (505) 821-1945 to RESERVE your set of the Blueprints and then
promptly send payment. Please leave your NAME and ADDRESS as confirmation
of your order.

If you are calling LONG DISTANCE, you may DEDUCT $2.00 US from the cost of
the order to pay for your call. You may also write to the address listed
below.

Please DO NOT respond via E-MAIL, I am in the process of changing Internet
Service Providers. Therefore,I will not be able to respond to you.

PLEASE: YOU MUST CALL (505) 821-1945 to place your order!

PLEASE DON'T DELAY!  These are GOING FAST!

Please send Bank Check or Money Order to:

Jeff Slaton
6808 Truchas Dr. NE
Albuqerque, New Mexico  87109
USA
=========================================================================
Date:         Fri, 4 Aug 1995 12:33:57 -0400
Reply-To:     PERFORM - Medieval Performing Arts 
Sender:       PERFORM - Medieval Performing Arts 
From:         Steve Wright 
Subject:      Re: Good Material

Blueprints for antique A-Bombs on the PERFORM list?  Please don't let
Sen. Exon find out about this.
Steve Wright
=========================================================================
Date:         Sat, 5 Aug 1995 18:17:33 -0500
Reply-To:     PERFORM - Medieval Performing Arts 
Sender:       PERFORM - Medieval Performing Arts 
From:         Linda Miles 
Subject:      Theatre InSight at ATHE

You are all invited to stop by the Theatre InSight booth in the exhibition
room at ATHE.

Come find out what our journal is all about.--Meet members of our editorial
staff.

Browse through back issues.--Buy them, or order them to be mailed postage free.

Subscribe to the 1995-1996 issues of Theatre InSight.

Pick up a Call for Papers.--Find out the kinds of submissions we're looking for.

All this and more!

If you can't go to ATHE and want to know more about Theatre InSight, drop me
an e-mail after August 13 and I'll respond with information.

Linda Miles, Editor
*******************
Theatre InSight
Department of Theatre & Dance
The University of Texas at Austin
Austin, TX  78712-1168
U.S.A.
miles.linda@mail.utexas.edu
Phone:  512-471-5793
FAX:  512-471-0824
=========================================================================
Date:         Sun, 20 Aug 1995 11:24:26 -0500
Reply-To:     PERFORM - Medieval Performing Arts 
Sender:       PERFORM - Medieval Performing Arts 
From:         PAT HOFFMANN 
Organization: SUNY at Plattsburgh, New York, USA
Subject:      lit question/textile art

I am not a member of this list, so hope that this question is not an
imposition--but, does anyone know of any poetry or fiction in English
and earlier than the 19th century in which
any textile art is used as a metaphor or discussed--quilting, making
lace, mending clothes, even.  I would really appreciate any tips.
Please reply directly to:


Dr. Pat Hoffmann, WPA
(Writing Program Admistrator)
School of Business and Economics        hoffmap@splava.cc.plattsburgh.edu
Redcay Hall 154
New York State University                       Phone: 518-564-4212
College at Plattsburgh                          FAX:   518-564-3183
Plattsburgh, New York 12901



And many thanks!
=========================================================================
Date:         Mon, 21 Aug 1995 13:25:24 -0400
Reply-To:     "Thomas G. Bishop" 
Sender:       PERFORM - Medieval Performing Arts 
From:         "Thomas G. Bishop" 
Subject:      Re: lit question/textile art

Well, consider for starters the antiquity of the matter of tapestry as a
poetic subject, from Homer's Penelope through Ovid's Philomela and Arachne to
Shakespeare's Lucrece, Spenser's Britomart in Busirane's House, even good
old Nick Bottom the Weaver. "The voice of the shuttle" (pace Delta
Airlines) has been with us a very long time.

On the matter of clothes there is an almost equally large corpus, but that'
s not quite the same as a textile art.

Cheers,

Tom Bishop


--
Tom Bishop                                                 "Too hot! Too hot!"
Dept of English
Case Western Reserve University
Cleveland, OH 44106.(tgb2@po.cwru.edu)
=========================================================================
Date:         Tue, 22 Aug 1995 19:16:16 EDT
Reply-To:     PERFORM - Medieval Performing Arts 
Sender:       PERFORM - Medieval Performing Arts 
From:         JEFFREY ERIC JENKINS <72263.3127@COMPUSERVE.COM>
Subject:      THE PRAGUE QUADRENNIAL

To: Thea-Net
Dear Friends,
Please post the following to your discussion list. Thank
you.
Sincerely,
Jeffrey Eric Jenkins

"Acts of Theatre: The Prague Quadrennial"
THEATER WEEK -- August 21, 1995

At the ATHE 95 conference in San Francisco, participants
were exhorted by Ellen Stewart of La MaMa ETC -- who
received ATHE's Career Achievement Award in Professional
Theatre -- to "extend beyond yourselves." Ms. Stewart was
referring to our tendency in the United States to sometimes
ignore the "world" of theatre outside our national
boundaries.

In the August 21, 1995 issue of THEATER WEEK magazine -- on
newsstands now or coming in the next week -- ATHE member
Jeffrey Eric Jenkins explores the diverse international
energies experienced this summer at the Prague Quadrennial.
"Acts of Theater: The Prague Quadrennial" discusses issues
of dwindling international government support for the arts
and raises questions regarding the mission of theatre in our
expanding global culture. Below is an excerpt from "Acts of
Theater: The Prague Quadrennial" by Jeffrey Eric Jenkins.
THEATER WEEK -- August 21, 1995:

"The original Prague Quadrennial in 1967 was an outgrowth of
the Brazilian Art Biennials of the 1950s and 1960s. After
winning top awards for scenic design in four successive
biennial exhibitions, representatives of the Czech and
Slovak theater communities were encouraged to create an
international exhibition in Prague. The first PQ - dedicated
to stagings of Mozart operas in the city where Don Giovanni
was first performed - was followed in 1968 by the so-called
'Prague Spring.' When budding free expression was crushed
under Soviet tank tracks in August of that year, it seemed
as if the first PQ might have been the last.

"Nearly thirty years later, though, the PQ still manages to
provide an international home for the exchange of artistic
ideas. The Czech Theater Institute and the International
Organization of Theater Artists and Technicians (OISTAT)
continue to find creative ways of funding the exhibition by
emphasizing its importance to the Czech government - no
matter which regime is in power. However, given the current
economic climate - in which the term 'market economy' can be
used as a linguistic bludgeon - the PQ will be deemed
important to the Czech government only if it means jobs and
capital for the country. Ironically, as borders between
countries have opened with the fall of the Berlin Wall,
governmental pocketbooks have slammed shut."
--Excerpted from "Acts of Theater: The Prague Quadrennial"
by Jeffrey Eric Jenkins, THEATER WEEK -- August 21, 1995.

END OF MESSAGE